Delta Spirit at Music Hall of Williamsburg

Delta Spirit

Photo courtesy of slcgov.com

It’s amazing what working full time will do to your midweek affairs. New York may be the city that never sleeps, but that rule doesn’t apply to everyone. Regardless, Southern California rockers, the Delta Spirit, took every advantage of the late start last week, and played to the Brooklyn crowd as the clock struck twelve. Surely you are thinking that twelve is not late by any one’s standards, but for the Yupsters making the early commute, anything after 10 starts to hurt.

Unfortunately, the 2 hour train ride home (approximately 11 miles) cut into my concert time, and I was unable to see the finale, but from what I was able to see, Matt Vasquez and company delivered an energetic set, playing songs from their latest album, History From Below, along with the favorites from Ode to Sunshine. Accompanied at times by a horns and percussionists, DS crooned on to the seemingly enthralled crowd. Despite the lead singer asking a man to leave the show, all things continued without any snags.

The five-piece sports an Americana-inspired twang via southern California, and its poppy, direct songs shine in an electrifying live show featuring trashcans and orchestral bass drums – NPR

Perhaps it was the lone prowler that set Vasquez off, or he just didn’t feel it that night, but there was something just a little off about his stage presence. At times, grateful to the crowd, other times distant, and almost annoyed. After seeing him play solo a few months ago, I certainly noticed a difference with the full band.With long stretches away from home, and unpredictably hot weather, it is no wonder that musicians often face frustration. But with Brooklyn as a sort of second home to Vasquez, maybe something else resided beneath the surface. At this point one can only surmise. All attitudes aside, I have been behind this band for some time now, and continue to offer my support. Even if I have to miss the encore for a few extra z’s, or extra time on the subway.  Lyrically, you can tell this band is invested in the art, and musically, they deliver something raw.

http://www.myspace.com/deltaspirit

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Cirque Du Soleil – Banana Shpeel

There are few bastions left, where one can witness feats similar to these. A traveling circus for the modern man. Juggling hats, contortionists by the threes, twirling flags, gymnastics and good old-fashioned disappearing acts. It’s possible that simply living in New York City, one may be exposed to these things, but it lacks the sparkle and shine of the stage. Cirque du Soleil has awed crowds for years, keeping people impressed, breath held. But with this latest run, Banana Shpeel, Cirque du Soleil combines the stunning acts with slapstick comedic relief.

Well, or so they tried. The tricks are still amazing, but the jokes are lackluster and banal. Writing in a sub-plot with audience participation has its place in children’s shows, but when tickets are $100 and up, let’s skip the gags and move right to the magic. All the time spent between sets was filled with flat acting and predictable shenanigans.

When I saw the movie Avatar, I could not fight the feeling that in Pandora, my life was complete, and any scene outside of there was just time wasted until the scenes cut back to the digital world. This was the same way. I loved the acts, hated the filler. And frankly, it’s fatally deficient. Almost half an hour of the show is moot attempts at cracking smiles. If you want the bang for your buck, go to Vegas and catch a more serious Cirque performance. If you are satisfied with mediocre acting and a few shiny tricks, the Upper West Side might just suffice your appetite without the grimy, hungover feeling so familiar to Nevada.

http://www.cirquedusoleil.com/en/shows/banana-shpeel/default.aspx -  at The Beacon Theater

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MTA: A Brief Gripe About Etiquette

NYC Subway Map

NYC Subway Map - Credit www.mta.info

“Ya’ll pay $1800 for your apartments, I pay $2.25. I got air conditioning, and a barbecue (the third rail). This is a ten car mobile home. I don’t come into your home and leave a mess, why ya’ll coming into mine?”says a boisterous man riding the 2 train towards the Bronx in lower Manhattan.

And he’s not wrong. The New York subway system is an intricate, fascinating web of vessels, providing transportation, and at times, housing to the residents of the city. The underground circus pulsates with passive riders, performers, and pickpockets. Like Paris, Berlin, London and Japan, the MTA has made strides to make travel in NYC comfortable, and cheap. There are rules against eating or drinking, and it is against the law not to relinquish your seat to a disabled person. However, there are still unspoken rules that are not being addressed. There is a desperate need for etiquette on the trains, something generations young and old seem to overlook every time they swipe their MTA cards.

The most recent epidemic is the influx of hypersonic ipod levels. People forget how silent the trains are while traveling between stations. Anytime your mp3 player’s volume is set to %50 or higher, everyone around you can hear it. Any high tones cut through, even with earbud style head phones. Songs with horn sections, or urban beats with lots of hi-hat, also come through. But the problem is not the style of music, it’s with the listener. People may be deaf, but I think they are just unaware. They forget that when they enter into a crowded train (or elevator, or library, or airplane), they are not the only person in that space. This a city with millions of people, you would think it would be hard to forget everyone around you, but that is the culture we have created. It’s a “me first” world, and as long as I get to hear my songs, I am fine. Everyone else can taste it.

Understandably, riding the subway for many people takes up hours everyday, and ipods help alleviate the drone of passing stations and “beware of the closing doors” etc. But this is no excuse for forgetting that not everyone wants to hear your music, and we especially don’t want to hear you sing along to it. On a train, everyone is trapped. Whether it’s for one stop, or an hour commute, every time you blast your ipod, you are subjecting everyone around you to the virus of stereo. Yet despite the epidemic, there is nothing we can do to stop it. Nearly every youngster has some mp3 device or iphone, and nearly all of them are half-deaf already from hours of Ke$ha and Miley Cyrus. The future of silent trains is bleak.

Apparently I am not the only one who notices, Katie Couric did a small excerpt, where she cites EU research, which says that listening to your music too loud can cause significant damage (like working in a factory). I am certainly not comfortable listening to Katie Couric without autotune, but this will have to do.

But, keep in mind, I wasn’t in New York in the 80′s. Bernie Goetz had to worry about being robbed or shot. I just worry about too much snare. Sure, it’s a small gripe, but I ride everyday. And many of you do too. It’s not just subway cars. It’ for the guy next to you on your next flight, it’s for the girl across from you at the library, it’s for the dad rocking too loud to Train in the elevator, it’s for the group of 12 year olds, all with different colored ipod nanos, listening to their music, one earbud in, the other ear drowned by all their friends’ music and the latest gossip about which teletubby is the gayest.

My admonition is to fight the urge to drown the sound of rail cars, the louder it is for you, the louder it is for us.  Whether it’s on MTA, or anywhere in public, remember that just because your ipod is in, doesn’t mean the world disappears. We are all still here. We can hear you.

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Auto-tune the News & The NBA’s Lowest

Let’s start here: Have you seen Auto-tune the news? If you have, then you know it is a running youtube series, created by the Gregory Brothers, which sets news clips to auto-tune and hip-hop beats. It is quite clever, and often quite hilarious. In light of pop-culture’s embrace of all things auto-tuned, the Gregory Brothers’ project brings just the right amount of parody and skill together, to keep me interested.

Now normally, I am not a youtube surfer, I mostly use it to look up joke songs, or (who’s kidding who?) whenever I want to feel bad about the world. So naturally, I was not sold on auto-tune the news at first pass. Initially I thought, it’s cute, but a little late. Regardless of whether they came before “I’m on a boat,” anything auto-tuned seems like, been there done that. In fact, I think I regarded these guys with disdain; a childish attempt to gain hits in a world of self-absorbed high-school pranksters.

Zack Williams and the Gregory Brothers

Zack Williams and the Gregory Brothers at Rockwood Music Hall

But then I realized that the Gregory Brothers were real people. I went to see Zack Williams, a Brooklyn based musician, and during the set, he invited four people up on stage. I couldn’t place it, but I I knew I had seen these guys somewhere. Then Zack said, “you owe these guys for auto-tune the news.” Something about seeing them live, in person, changed my mind about their project. Not to mention, the three brothers and one’s wife, all perform in a family band together. After the show, I immediately watched all the episodes of auto-tune the news, and fell deeper in love.

Why do we love celebrities once we see them in person?

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2010 World Cup and Nike’s New Ad

We are about 3 weeks away from the World Cup. If that doesn’t excite you, then chances are you are not even alive and you shouldn’t be reading the internet. If they are going to project the UEFA Champions League at the Duomo in Milan, then surely cities all over the globe will be projecting games at all the best locations. If Americans ever want to take a hint, I am imagining a packed Times Square, like at New Years, but this time, the ball drop is not a glittery disco ball, but a patched leather one in the back of some other nation’s net.

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Dosh w/ White Hinterland at Union Hall

Martin Dosh, Union Hall

Dosh at Work - credit www.wired.com

It’s been a torrent of work in the last few weeks, hardly enough time to let my face see the sun, let alone pay any attention to news, the weather, or even friends. Clutching the last dregs of what has been a whirlwind of a year, I am approaching the end. I had written this review a few weeks ago, after seeing Martin Dosh perform in Brooklyn. I took a night off from my studies, to entertain my musical malnourishment. What I found, despite the ever impressive Dosh, was one of the most intriguing bars I have ever seen, and probably the place where I want to have my next birthday/funeral.

The bar is called Union Hall. Upstairs: bar. Downstairs: Small music venue. Strikingly similar is layout as many New York bars. However, Union Hall is decorated more in the style of a secret society. A cross between Disney’s Haunted Mansion and the reading room from Jumanji. Old plush chairs surrounding small oak tables, with shelves of antique books lining the walls. Furthermore, when you live in Manhattan, space becomes a premium. At some point, you become so accustomed, that you forget what it is like to sit at a bar and hear, or even see your friends. Union Hall, located in Park Slope, may draw crowds, but still has enough room for two full length indoor bocce ball lanes. Forget shuffle board, forget beer pong. This bar is too good to be true. It was like a revelation from heaven, and ever since, my soul has longed to return. Mostly because I want to peruse the Classic Literature section.

In my haste to see the show, I failed to soak this bar in, but I toe’d the water and desire to return. I will not rest until my hajj is complete.

Now, if I still have your attention, and you care about Martin Dosh, or computer music. You may read further. If not, thanks for coming this far. And see you next time.

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Go Bats: New Zealand 2010 by Ryan Maxey

Talent in this world is all around us. We see it down every avenue we turn. However, sometimes talent hides in the crags, and shows itself subtly. In a visual culture, we have become accustomed to talent in front of the camera, but the real game is what is going on behind the camera.

Film is a world I am not so familiar with. I know little about directing, shooting, editing, post-production, etc. What I do know is that a good product makes me feel one way, where a bad one makes me feel another way. Generally characterized by the degree of alcohol content needed for enjoyment. This might easily be characterized on a matrix of some sort: Life Aquatic falling at absolute sober, and Commando, falling at a BAC of .08 and up). Sometime last year, I made an impulse purchase on ebay.com, and bought a bulk of 50 DVD’s for $25. My eyes grew large at the thought of so many obscure 80′s movies at $0.50 a piece. As you can imagine, the lot was mostly rubbish. Depending on how many St. Ides you were willing to have, a couple of them may have been worth it. Regardless, that purchase was tell tale of all art. Most of it is garbage. But when you find something good, it sticks out. Ryan Maxey, sticks out.

A recent trip to New Zealand (life alteringly worth-while), was documented by Ryan Maxey. Despite a vested personal interest in this particular piece, Ryan is assuredly destined for greatness. His pedigree precedes him; he is a real life version of the Dos Equis man in his 20′s.

Be it a feature film, or a short montage of a friend’s wedding, Film has an ability to do what most media cannot. I’m stupefied at how good people can be with it.

Ryan Maxey is my friend. He can be your friend too. www.ryanisyourfriend.com

Drum roll please. And now, Go Bats: New Zealand 2010 (the Marriage of Ken and Summer).

more about “Go Bats: New Zealand 2010 on Vimeo“, posted with vodpod

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Creditors at BAM (Directed by Alan Rickman)

Alan Rickman Creditors

Director Alan Rickman - credit www.Broadwayworld.com

Alan Rickman is simply the man. I think we all know that. It’s obvious that the guy is a superb actor, and for those of you living inside a time capsule, he is fortunate enough to play one of the last two decades’ best pseudo-villains, Professor Snape (or is he really a good guy?…).  I imagine Saruman, and someone from Twilight are on that list too. Regardless, Alan Rickman has shown he can act on stage too (see Tony nominations). And now, he has outdone himself in his role as the director of Creditors, and August Strindburg adaptation running at the Brooklyn Academy of Music, Harvey Theater.

Brief Theater History Lesson: August Strindburg is one of the best playwrights. He’s Scandinavian, and dead. Done.

Take some great writing, great directing, and a little elbow grease, you will get yourself a winning combo. Fortunately for theater-goers, Creditors is not just well written/directed, but well acted too. The three-piece cast does everything you want them to do, from their impetuosity to their intensity.

It’s a Tragicomedy. Not unlike a Wes Anderson work. Deeply saddening in its revelations about the human condition (failed relationships, lust, greed, envy), and peppered with humor.

Plays like this are wonderful. They don’t take a lot of elaborate scheming, set making, or illusions to awe the crowd. It is character driven, much like the rest of our lives. And being that I’ll take any respite from life to see some theater, I was well pleased with the result.

Additionally, this marks my second trip to the BAM, and both times, I left happy. Maybe it’s time for Broadway to hit the bench for a while.

http://www.bam.org/

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The Flea Theater Presents – Girls In Trouble

If you think Broadway is the only place to see a play these days, then you are dead wrong. Sure, the theater district is the mega-plex for your commercial theater needs. But for those of you who need something more bold, something out of the ordinary, it’s time to consider some Off-Off Broadway. Broadway is the pinnacle, no doubts about that, but it has its share of busts. The lesser known shows are considered Off Broadway. While remaining commercially driven, the Off Broadway shows are likely to be cheaper, and have a little more room to take risks. For the bold, take it one step further and enter the realm of the Off-Off Broadway.

Off-Off Broadway is for the bold, for two reasons. (1) Given the territory, there is more room for failure than the other commercially focused arenas. You have to be bold, sifting through what can amount to heaps and heaps of garbage to find a show worth your time. (2) When making money is not the main focus, the subject matter of the art becomes darker, scarier, and deals with issues that people might be uncomfortable with. Thus, only the bold survive.

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The Grates at Brooklyn Bowl

The Grates at Brooklyn Bowl

The Grates at Brooklyn Bowl

I have always wanted to have a friend in a band. Naturally, I am always envious of VIPers with passes, smuggily having drinks with the band after the show. So when I met Alana Skyring, the drummer for The Grates, at a Thanksgiving dinner, I saw opportunity smiling upon me.

The Grates are from Australia. They don’t celebrate Thanksgiving. But since they have moved to South Slope in Brooklyn, I suppose taking on some of our holidays makes sense. What you probably don’t realize, is that they are huge in Australia. Playing large stadiums, and well known all over, the Grates are finally making a push on the American music scene. They played to their new home town crowd at Brooklyn Bowl, and began the eye opening process.

Lead singer, Patience Hodgson has the spirit of a natural rockstar. Poised, and ready to weird out, Patience will make you fall in love at first sight. The three-piece band delivers an upbeat, chick-punk-pop sound (whatever that means). I try to categorize bands, but the Grates are difficult. The live concert made me a believer. There was enough yelling, shoeless drumming, and sequined unitards to keep me guessing.

Everyone is itching to weird out in public. But they want to do it tastefully. No fear of serious bodily harm, criminal convictions, or permanent season ending blowouts. The Grates provide enough room for all parties to take the edge off.

Plus, who doesn’t enjoy the Aussie accent

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